The Geometry of the Transfer: The Lionel-Groulx Collection
The Lionel-Groulx collection serves as a static capture of a kinetic environment. By isolating the station’s utilitarian floor tiles, we strip away the noise of the interchange to reveal a rigorous geometric study. In this new context, the ceramic layout ceases to be mere infrastructure and re-emerges as a meditation on order, transposing this architectural rhythm from the subway to the domestic sphere.
